Color | Psychological response | Notes of interest |
---|---|---|
Red | Power, energy, warmth, passion, love, aggression, danger | Red changes meaning in the presence of other colors. With green, it becomes a symbol of Christmas. When combined with white, it means joy in many eastern cultures. |
Blue | Trust, conservative, security, technology, cleanliness, order | Used in the U.S. by many banks to symbolize trust. |
Green | Nature, health, good luck, jealousy, renewal | Does not do well in global markets. There are problems associated with green packaging in China and France. Green has been successful in attracting investors in the Middle East. |
Yellow | Optimism, hope, philosophy, dishonesty, cowardice, betrayal | Yellow is sacred to Hindus. |
Purple | Spirituality, mystery, royalty, transformation, cruelty, arrogance | Purple appears very rarely in nature. |
Orange | Energy, balance, warmth | Signifies the product is inexpensive (in the U.S., and outside of Halloween and St. Patrick's Day). |
Brown | Earth, reliability, comfort, endurance | Food packaging in the U.S. is often colored brown, to great success. In Columbia, brown discourages sales. |
Gray | Intellect, futurism, modesty, sadness, decay | Gray is the easiest color for the eye to see. |
White | Purity, cleanliness, precision, innocence, sterility, death | Signifies marriage in the U.S., but death in India and other Eastern cultures. |
Black | Power, sexuality, sophistication, death, fear, unhappiness, elegance | Signifies death and mourning in many Western cultures. In packaging, conveys elegance, wealth, and sophistication. |
This table was adapted from Satisfying Customers with Color, Shape, and Type from WEBTechniques November 1999, Volume 4, Issue 11.
Shape | Psychological response |
---|---|
Circle | Connection, community, wholeness, endurance, movement, safety. Refers to the feminine: warmth, comfort, sensuality, and love. |
Rectangle | Order, logic, containment, security. Rectangles provide a fourth point, which is mathematically the foundation for three dimensional objects, suggesting mass, volume, and solids. |
Triangle | Energy, strength, balance, law, science, religion. Refers to the masculine strength, aggression, and dynamic movement. |
This table was adapted from Satisfying Customers with Color, Shape, and Type from WEBTechniques November 1999, Volume 4, Issue 11.
Type category | Description | General attributes |
---|---|---|
Serif![]() |
Type faces with strokes, called serifs, decorating the letterforms. A common example is Times New Roman or Times. | A formal style. Serifs tend to express organization and intellect. Very elegant and conservative in most circumstances. |
Sans-serif![]() |
Typefaces with rounded letterforms and no strokes. Popular sans-serif fount include Helvetica and Arial. | A less formal, more warm and friendly type style, a sans-serif typeface typically makes an excellent screen font as it is clear and easy to read. |
Monospace![]() |
Each letter in a monospace face takes up the same amount of space as any other letter. An I is as wide as a W. A good example of a monospace font is Courier. | Reminiscent of typewritten documents, monospace type has been used in Web design for code samples, and pre-formatted text. In recent years, monospace fonts have become popularized by alternative "grunge" designers. |
Decorative![]() |
Typefaces that are very variegated in design. Author and designer Robin Williams has suggested that is you see a typeface for body of text that makes you sick to your stomach, it is probably a decorative font. | Because of the variations, decorative forms can evoke a wide range of psychological attributes. They are best used for titles and decorative type, and should be avoided as body type. |
Script![]() |
Typefaces that mimic handwriting. These typefaces are also known as cursive. | A sense of elegance, sophistication, and a personal touch can be evoked by script faces. Use them sparingly, as you would a decorative face. |
This table was adapted from Satisfying Customers with Color, Shape, and Type from WEBTechniques November 1999, Volume 4, Issue 11.