film production courses

FILMPRO 105 — Digital Production Tools
(1.5) F, S — CSU
Intensive course on how to operate and maintain digital video camera systems. Students learn the automatic and manual controls and functions of a variety of digital motion picture cameras.

FILMPRO 106 — Digital Editing Tools
(1.5) F, S — CSU
Eight-week intensive course on how to edit digital video using non-linear editing software. Students learn the basic tools used to acquire, edit and output a finished digital movie.

FILMPRO 114 — Non-Linear Editing I
(3) F, S — CSU
Skills Advisories: Eligibility for ENG 100 and ENG 103
Overview of desktop non-linear video editing, including acquiring digital video and combining and editing source material to create complete digital movies. Topics include basic editing techniques; cuts and transitions; adding and altering audio; titling; keying and transparency; and applying filters and effects.

FILMPRO 160 — Television Studio Production
(3) F,S — CSU
Skills Advisories: Eligibility for ENG 100 and ENG 103
Introduction to fundamentals of television studio production, including producing, directing, scriptwriting, performing, production crewing, studio lighting, production design and post-production. Through basic studio exercises and productions, students become familiar with the tools of the medium and the processes involved in the creation of television programming.

FILMPRO 165 — Television Field Production
(3) F,S — CSU
Skills Advisories: Eligibility for ENG 100 and ENG 103
Work in television field production, including producing, directing, scriptwriting, performing, production crewing, field lighting, production design and post-production. Through basic field exercises and productions, students become familiar with the tools of the medium and the protocols and processes involved in the creation of television programming on location.

FILMPRO 170 — Cinematography I
(3) F, S — CSU, UC
Introduction to video camera operation and lighting, covering technical and aesthetic issues of studio and location shooting. Technical issues include digital and analog video cameras, lenses and tape formats, lighting and grip equipment, and basic sound acquisition. Aesthetic topics focus on using composition, color, light and shadow to create an appropriate look and feel for a scene.

FILMPRO 175 — Film and Video Production I
(3) F, S — CSU, UC
Skills Advisories: Eligibility for ENG 100 and ENG 103
Course Advisories: FILMPRO 114 and FILMPRO 170 and FILMST 173/ENG 173
Introduction to the film and video production process, including scripting, story-boarding, pre-production planning, budgeting, casting, shooting, lighting, sound and editing in both studio and location settings. Students write, produce, direct and edit a personal project and participate in group assignments and projects.

FILMPRO 177 — Motion Graphics I
(3) F, S — CSU
Skills Advisories: Eligibility for ENG 100 and ENG 103
Introduction to motion graphics, compositing and 2D animation using Adobe After Effects for film and video applications, including both technical and aesthetic issues. Current industry trends and styles are discussed.

FILMPRO 178 — Documentary Filmmaking
(3) F, S — CSU
Course Advisories: FILMPRO 175
Exploration of documentary filmmaking, including screening a variety of international works and producing a short documentary project on digital video, using single-camera field production techniques. Screening and discussion of selected documentaries augment instruction in the production skills necessary to shoot and edit documentaries on digital video. Exercises, ranging from conceptualization through post-production, culminate in production of a short documentary.

FILMPRO 181— Principles of Audio Production
(3) F, S — CSU
Course Advisories: MAT 180/MUS 121A
Skills Advisories: Eligibility for ENG 100
Concepts, techniques, equipment and terminology of audio, visual and digital media industries related to digital audio production and manipulation. Topics include MIDI sequencing, audio/video synchronization, Foley, ADR, recording and editing of sound effects, sound design and digital audio recording techniques. Students utilize SMPTE synchronization hardware, video playback equipment, microphones, mixers, synthesizers, samplers, computers, hard disk recorders, digital audio editing equipment and digital signal processors.

FILMPRO 185/TA 185— Directing for the Camera
(3) F, S — CSU, UC
Course Advisories: FILMPRO 175
Introduction to directing for the camera, including principles of drama, conceptualization of visuals, storyboarding, shot breakdowns, auditioning the actor, staging actors, improvisation, staging the camera, art direction, lighting and sound strategies; also covers blocking, shot execution, development of a signature directorial style, and on-set procedures and protocols. (*UC Transfer Limit: FILMST 185 and TA 185 combined: maximum credit, one course)

FILMPRO 197 — Digital Editing Basics
(0.5)
Basic introduction to desktop non-linear video editing, including acquiring digital video and combining and editing source material to create digital movies.

FILMPRO 198 —Film and Video
Production Basics
(0.5)
Basics of film and video production, including shooting, lighting and sound recording. Students participate in group assignments and projects.

FILMPRO 214 — Non-Linear Editing II
(3) F, S — CSU
Prerequisites: FILMPRO 114
Skills Advisories: Eligibility for ENG 100 and ENG 103
Advanced studies in concepts and techniques of desktop non-linear editing, including both technical and aesthetic issues. Large-project management, creating EDLs and client-based editing are covered. Collaborational aspect of editing and how it fits into the production work flow is emphasized. Current trends and styles in editing are discussed.

FILMPRO 218/TA 218 —Acting for the Camera
(3) F, S — CSU, UC
Skills Advisories: Eligibility for ENG 100 and ENG 103
Course Advisories: TA 112 or TA 213 and FILMST 101 or FILMST 101HR
Introduction to fundamental skills of acting in front of the camera, including understanding frame sizes, shot definitions, marks, physical continuity, emotional continuity, eye-lines, screen direction, acting for the camera, and the actor’s relationship with the director and the film crew. Students shoot in single- and multiple-camera setups, both in studio and on location. Scripted material used to convey character to the camera by master. Students understand scenes both technically and creatively.

FILMPRO 270 — Cinematography II
(3) F, S — CSU
Prerequisites: FILMPRO 170
Advanced concepts and techniques in digital video shooting, lighting and visual story-telling in multi-camera, documentary and dramatic productions. Students shoot and light a variety of scenarios for presentation and evaluation.

FILMPRO 275 — Film and Video Production II
(3) F, S — CSU, UC
Prerequisites: FILMPRO 175
Advanced concepts and techniques in film and video production, including scripting, storyboarding, pre-production planning, budgeting, casting, shooting, lighting, sound and editing. Students write, produce, direct and edit a personal project and participate in a group project. Current trends and styles in production are discussed.

FILMPRO 276 — Commercial Video Applications
(3) F, S — CSU
Course Advisories: FILMPRO 175
Advanced video production for students who wish to apply their production skills to projects similar to those found in the working world. Production protocols and practices for music videos, television commercials, industrial videos and instructional/educational projects are covered. Explores the history, conventions and current trends in each of these fields. Final project is a demo reel which can be used to pursue professional production assignments.

FILMPRO 277 — Motion Graphics II
(3) F, S — CSU
Prerequisites: FILMPRO 177
Advanced studies in concepts and techniques of motion graphics, compositing and 2D animation, including both technical and aesthetic issues. Students focus on one area to explore in depth and further develop their skills. Collaboration within the production work flow is emphasized. Current trends and styles are discussed.

FILMPRO 285 — Directing for the Camera
(3) F, S — CSU
Prerequisites: FILMPRO 185/TA 185
Advanced directing for the camera, covering technical and aesthetic facets of the director’s art. Focuses on issues and techniques in the operation of digital motion picture cameras, lighting and sound equipment, conceptualization of visuals, auditioning and staging actors, and development of a signature directorial style.


	FILMPRO 105 — Digital Production Tools (1.5) F, S — CSU Intensive course on how to operate and maintain digital video camera systems. Students learn the automatic and manual controls and functions of a variety of digital motion picture cameras. FILMPRO 106 — Digital Editing Tools (1.5) F, S — CSU Eight-week intensive course on how to edit digital video using non-linear editing software. Students learn the basic tools used to acquire, edit and output a finished digital movie. FILMPRO 114 — Non-Linear Editing I (3) F, S — CSU Skills Advisories: Eligibility for ENG 100 and ENG 103 Overview of desktop non-linear video editing, including acquiring digital video and combining and editing source material to create complete digital movies. Topics include basic editing techniques; cuts and transitions; adding and altering audio; titling; keying and transparency; and applying filters and effects. FILMPRO 160 — Television Studio Production (3) F,S — CSU Skills Advisories: Eligibility for ENG 100 and ENG 103 Introduction to fundamentals of television studio production, including producing, directing, scriptwriting, performing, production crewing, studio lighting, production design and post-production. Through basic studio exercises and productions, students become familiar with the tools of the medium and the processes involved in the creation of television programming. FILMPRO 165 — Television Field Production (3) F,S — CSU Skills Advisories: Eligibility for ENG 100 and ENG 103 Work in television field production, including producing, directing, scriptwriting, performing, production crewing, field lighting, production design and post-production. Through basic field exercises and productions, students become familiar with the tools of the medium and the protocols and processes involved in the creation of television programming on location. FILMPRO 170 — Cinematography I (3) F, S — CSU, UC Introduction to video camera operation and lighting, covering technical and aesthetic issues of studio and location shooting. Technical issues include digital and analog video cameras, lenses and tape formats, lighting and grip equipment, and basic sound acquisition. Aesthetic topics focus on using composition, color, light and shadow to create an appropriate look and feel for a scene. FILMPRO 175 — Film and Video Production I (3) F, S — CSU, UC Skills Advisories: Eligibility for ENG 100 and ENG 103 Course Advisories: FILMPRO 114 and FILMPRO 170 and FILMST 173/ENG 173 Introduction to the film and video production process, including scripting, story-boarding, pre-production planning, budgeting, casting, shooting, lighting, sound and editing in both studio and location settings. Students write, produce, direct and edit a personal project and participate in group assignments and projects. FILMPRO 177 — Motion Graphics I (3) F, S — CSU Skills Advisories: Eligibility for ENG 100 and ENG 103 Introduction to motion graphics, compositing and 2D animation using Adobe After Effects for film and video applications, including both technical and aesthetic issues. Current industry trends and styles are discussed. FILMPRO 178 — Documentary Filmmaking (3) F, S — CSU Course Advisories: FILMPRO 175 Exploration of documentary filmmaking, including screening a variety of international works and producing a short documentary project on digital video, using single-camera field production techniques. Screening and discussion of selected documentaries augment instruction in the production skills necessary to shoot and edit documentaries on digital video. Exercises, ranging from conceptualization through post-production, culminate in production of a short documentary. FILMPRO 181— Principles of Audio Production (3) F, S — CSU Course Advisories: MAT 180/MUS 121A Skills Advisories: Eligibility for ENG 100 Concepts, techniques, equipment and terminology of audio, visual and digital media industries related to digital audio production and manipulation. Topics include MIDI sequencing, audio/video synchronization, Foley, ADR, recording and editing of sound effects, sound design and digital audio recording techniques. Students utilize SMPTE synchronization hardware, video playback equipment, microphones, mixers, synthesizers, samplers, computers, hard disk recorders, digital audio editing equipment and digital signal processors. FILMPRO 185/TA 185— Directing for the Camera (3) F, S — CSU, UC Course Advisories: FILMPRO 175 Introduction to directing for the camera, including principles of drama, conceptualization of visuals, storyboarding, shot breakdowns, auditioning the actor, staging actors, improvisation, staging the camera, art direction, lighting and sound strategies; also covers blocking, shot execution, development of a signature directorial style, and on-set procedures and protocols. (*UC Transfer Limit: FILMST 185 and TA 185 combined: maximum credit, one course) FILMPRO 197 — Digital Editing Basics (0.5) Basic introduction to desktop non-linear video editing, including acquiring digital video and combining and editing source material to create digital movies. FILMPRO 198 —Film and Video Production Basics (0.5) Basics of film and video production, including shooting, lighting and sound recording. Students participate in group assignments and projects. FILMPRO 214 — Non-Linear Editing II (3) F, S — CSU Prerequisites: FILMPRO 114 Skills Advisories: Eligibility for ENG 100 and ENG 103 Advanced studies in concepts and techniques of desktop non-linear editing, including both technical and aesthetic issues. Large-project management, creating EDLs and client-based editing are covered. Collaborational aspect of editing and how it fits into the production work flow is emphasized. Current trends and styles in editing are discussed. FILMPRO 218/TA 218 —Acting for the Camera (3) F, S — CSU, UC Skills Advisories: Eligibility for ENG 100 and ENG 103 Course Advisories: TA 112 or TA 213 and FILMST 101 or FILMST 101HR Introduction to fundamental skills of acting in front of the camera, including understanding frame sizes, shot definitions, marks, physical continuity, emotional continuity, eye-lines, screen direction, acting for the camera, and the actor’s relationship with the director and the film crew. Students shoot in single- and multiple-camera setups, both in studio and on location. Scripted material used to convey character to the camera by master. Students understand scenes both technically and creatively. FILMPRO 270 — Cinematography II (3) F, S — CSU Prerequisites: FILMPRO 170 Advanced concepts and techniques in digital video shooting, lighting and visual story-telling in multi-camera, documentary and dramatic productions. Students shoot and light a variety of scenarios for presentation and evaluation. FILMPRO 275 — Film and Video Production II (3) F, S — CSU, UC Prerequisites: FILMPRO 175 Advanced concepts and techniques in film and video production, including scripting, storyboarding, pre-production planning, budgeting, casting, shooting, lighting, sound and editing. Students write, produce, direct and edit a personal project and participate in a group project. Current trends and styles in production are discussed. FILMPRO 276 — Commercial Video Applications (3) F, S — CSU Course Advisories: FILMPRO 175 Advanced video production for students who wish to apply their production skills to projects similar to those found in the working world. Production protocols and practices for music videos, television commercials, industrial videos and instructional/educational projects are covered. Explores the history, conventions and current trends in each of these fields. Final project is a demo reel which can be used to pursue professional production assignments. FILMPRO 277 — Motion Graphics II (3) F, S — CSU Prerequisites: FILMPRO 177 Advanced studies in concepts and techniques of motion graphics, compositing and 2D animation, including both technical and aesthetic issues. Students focus on one area to explore in depth and further develop their skills. Collaboration within the production work flow is emphasized. Current trends and styles are discussed. FILMPRO 285 — Directing for the Camera (3) F, S — CSU Prerequisites: FILMPRO 185/TA 185 Advanced directing for the camera, covering technical and aesthetic facets of the director’s art. Focuses on issues and techniques in the operation of digital motion picture cameras, lighting and sound equipment, conceptualization of visuals, auditioning and staging actors, and development of a signature directorial style.
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